While Godard rapidly changes the color of the light — making us aware of the manipulated, air-brushed, artificial nature of screen goddesses — costar Michel Piccoli enumerates Bardot's physical attributes in a literary device known as blason, gleefully mixing high and low culture.
She continued as a nurse after the war to help with the 1918 epidemic of.
As a woefully repressed recent widow, baring her body to Billy Bob Thornton's prison guard was the equivalent to baring her soul.