While Godard rapidly changes the color of the light — making us aware of the manipulated, air-brushed, artificial nature of screen goddesses — costar Michel Piccoli enumerates Bardot's physical attributes in a literary device known as blason, gleefully mixing high and low culture.
Proving once and for all that not all nudity is a good thing, the crashes through a convention hall while nude wrestling with traveling companion Azamat Ken Davitian , a bravura display of stunt acting that precariously straddles the line between fearlessness and psychosis especially once security guards intervene.
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